but these are her words, that a friend shared this week, and I love them so very much. I hope you find them as powerful and helpful as I did.
If you’re reading this, this fucking brain cancer probably got me. But let me be crystal clear while I’m able: I did not ”lose a battle” against cancer. This is a ridiculous, steamy pile of horse shit that society has dumped on cancer patients. Western medicine, and Western culture, especially, is so uncomfortable talking about death that instead it created this “battle” analogy that basically shames people who die from cancer. News flash: None of us gets out alive from this rodeo called life. There is no shame in dying from cancer – or any serious illness. And it doesn’t need to be a battle. It’s a transition that each of us will go through. I was asked by a shaman, whom I spoke to after my second brain surgery, “Are you running towards life or running away from death?” Whoa! That got my attention. There’s a BIG difference. I got it wrong more often than not. Don’t let fear fuel your choices. Live fearlessly. Run TOWARDS life. Don’t worry about what people will think. Trust me, it doesn’t matter. Focus on you. Be true to yourself. Be your own best friend. People who tell you you’re selfish are not your people. If the voice in your head says these unkind things, get a new voice. Honor your mental health and seek out a good therapist with the same vigor you’d search for a romantic partner. Speaking of, be intentional about cultivating friendships that lift you up. As those friendships grow and change, don’t overlook them while you search for that “great love of your life.” (No, I’m not suggesting you sleep with your bestie. But you do you!) Another unhelpful message that we get from society is that we need a “love of our life,” as a romantic partner. Single and childless when I was diagnosed with terminal brain cancer, I looked around my life and came up sputtering and sobbing from the wave of grief washed over me. I thought I’d be doing this alone… no husband, no kids, no “great love.” How wrong I was. At the first appointment with my neuro-oncologists, one of the nurses diligently hauled in chair after chair for the great loves of my life who came with me that horrible day and many days after that. I sat and listened while the doctor explained the 12-month treatment plan, focusing on my breathing, then looked around the room…. filled with great loves of my life: incredible women friends whom I had met at various stages of my life. Surround yourself with people who contradict that unkind voice, people who see your light, and remind you who you are: an amazing soul. Learn how to receive these reflections from your people. Because they are speaking the Truth. Love yourself, no matter how weird and silly it might feel. Every morning, give yourself a hug before your feet hit the floor. Look deeply into your eyes in a mirror. Say to yourself, out loud, “I trust you.” That voice in your head might say you’re a dork. Ignore it. As I prepare to leave this body and embark on this mysterious journey of my soul, I hope these observations from my deathbed are somehow useful. What I know, deep in my bones, is that learning to love myself has led me to be able to say this: I’m so proud of how I lived. May you, dear reader, feel the same when you head out on your soul journey, too. Until then, enjoy the ride. And always eat dessert first, especially if there’s pie!
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My Rumi-Inspired Road Trip
anniewood.substack.com/p/my-rumi-inspired-road-trip how to love the world A version of this piece first appeared in The Huffington Post. The 13th-century poet and theologian, Rumi, is throwing a party in his guest house, and I’m invited! This being human is a guest house. Every morning a new arrival. A joy, a depression, a meanness, some momentary awareness comes as an unexpected visitor. Welcome and entertain them all! Even if they are a crowd of sorrows, who violently sweep your house empty of its furniture, still, treat each guest honorably. He may be clearing you out for some new delight. The dark thought, the shame, the malice. meet them at the door laughing and invite them in. Be grateful for whatever comes. because each has been sent as a guide from beyond. -Rumi Okay, Rumi didn’t technically invite me to his party since it seems to be taking place in his own guest home, for himself, but he seems like such a friendly host that I’ve decided to surprise him. In a moment of bravery, I also invited a few of my own feelings to accompany me. I’m in my Jeep with Worry riding shotgun. Worry keeps slamming her foot on the invisible break in front of her. She thinks I drive too fast. Many posts from How to Love the World are free for everyone to enjoy, but if you can, I’d love for you to become a paid subscriber. This way, you’ll get access to all posts, including all past posts and help support the work I pour my heart into. Your contribution makes a big difference and allows me to keep creating and sharing. Thank you so much for being part of this journey! Impatience is sitting on Worry’s lap and keeps telling me I’m not driving fast enough. Joy is riding on the roof. She loves to feel the wind in her hair. She suddenly, giddily screams, ROAD TRIP! Her face is flush with wonder as she stuffs it with popcorn. Where did she get the popcorn? That’s the thing about Joy: She always manages to find the things that she most enjoys and fully immerses herself in them, completely and unabashedly. She’s my favorite. But Rumi suggests I let them all in, even the bothersome ones like Anger, Sadness and Doubt. I choose to suck it up, and I open the door for the whole gang. I sit them together in the backseat, tell them to buckle up, and off we go to Rumi’s place! Within moments, Sadness begins to cry because Anger sucker-punched her in the face. I want to throw them both out. Anger is pissing me off, and Sadness is a total buzzkill. But instead, I take a deep breath and calmly ask them if they want to talk about it. For a moment, they are taken aback by my sudden interest in them. The silence didn’t last long. You always ignore me! Anger yells over the wailing cries of Sadness. Sadness adds, You ignore me too. You pretend like I don’t even exist. I remember something I read in my Buddhist studies. Stories about Mara, the God of death and sin. Mara personifies unwholesome impulses, unskillfulness, the “death” of the spiritual life. He is a tempter, distracting humans from practicing the spiritual life by making mundane things alluring, or the negative seem positive. -Wikipedia Mara wants to stop Buddha from achieving enlightenment and teaching it to others. Once, when Mara arrived at Buddha’s door, Buddha invited him in for tea. (Rumi and Buddha really enjoy entertaining.) With all the bickering in the backseat, I figure a new action plan is called for for my own well-being, so I … engage. Even with the unpleasant ones. Besides, when I don’t keep an eye on one of them, they tend to run amok. Anger and Sadness especially caused me some trouble in the past. (They’re probably in cahoots with one another.) Sadness ran away from home once, and I thought I was better off without her, so I changed the locks on the door to make sure she stayed out. Soon enough, she came knocking at the door all teary-eyed, begging to be let back in. I ignored her, though, because I was busy doing shots with Avoidness. At one point I noticed that Anger, (who had moved into Sad’s room as soon as she split,) was now growing taller and wider. Anger was turning into a giant, her head exploding through the roof! I sent Anger to her room and bolted the door shut. Worry, sensing the imbalance in our home, freaked out and started working overtime by checking and rechecking to see if the stove was left on, if the locks were securely locked and if my heart was still beating. I couldn’t seem to get rid of Worry who was now bunking with Doubt. All of this was happening while Joy enjoyed a glass of Pinot Grigio in the Jacuzzi, watching Seinfeld reruns on her phone. I know, it’s a lot. It wasn’t until I read Rumi’s poem that I finally understood that I was making everything worse by banishing some emotions, and at the same time, allowing other’s total freedom. That’s when I decided to bring all of them on this trip. As we drove my mind told stories, like minds like to do, regrets about the past and concerns for the future. The stars of these stories were with me in the car now. Only this time, instead of rejecting them, I began to observe them. Like I was watching a movie. I found it liberating to watch and simply be with my emotions without getting caught up in their drama and without kicking them out of a moving vehicle. This non-attachment has allowed me to have Sadness without being Sadness. I feel Angry without living in Anger and I can experience Joy without getting lost in her to such a point that I lose my way home. I can live my present-moment reality with them all without grasping at extremes. We all totally bonded on this road trip. I wept with Sadness on the hood of the Jeep, cradled Worry in my arms, and kissed Anger’s crinkled brow. I don’t want to beat them up or abandon them anymore. I want to get to know them better so we can all reach an understanding. The understanding that they are with me, but they are not me. The understanding that they need to be heard but not followed. The understanding that, when any of them show up at my door, I can handle them and their shenanigans. Which is good news since we are all on this wild ride together, so we may as well play nicely. So, yeah… go ahead and get to know your crew. But don’t forget to buckle up, buttercup. “Suits: L.A.” is headed to… L.A.
The legal drama, led by Stephen Amell, has moved from Vancouver, where it filmed its pilot, to Los Angeles, Variety has exclusively learned. The NBC spinoff, produced by UCP, a division of Universal Studio Group, will follow Amell’s Ted Black, a former federal prosecutor from New York, who now represents “the most powerful clients in Los Angeles” at Black Lane Law, an entertainment and criminal firm. Per the official logline, “His firm is at a crisis point, and in order to survive he must embrace a role he held in contempt his entire career. Ted is surrounded by a stellar group of characters who test their loyalties to both Ted and each other while they can’t help but mix their personal and professional lives. All of this is going on while events from years ago slowly unravel that led Ted to leave behind everything and everyone he loved.” The main cast includes Josh McDermitt as Stuart Lane, the powerful and self-absorbed co-founder of the firm; Lex Scott Davis as savvy and strong lawyer Erica Rollins; and BryanGreenberg as Rick Dodsen, Ted’s protege and Erica’s rival. Additional cast include Rob Nagle and Troy Winbush. “Suits” creator Aaron Korsh serves as executive producer and wrote the pilot. David Bartis, Doug Liman, Gene Klein and Victoria Mahoney are executive producers. Mahoney also directed the pilot. While “Suits: L.A.” is not a reboot of the USA Network drama, which ran from 2011 to 2019for nine seasons and had a recent resurgence thanks to Netflix streaming, but instead exists in the same universe and features all new characters. If it's not one thing, it's your mother...
"I basically started performing for my mother, going, 'Love me!' What drives you to perform is the need for that primal connection. When I was little, my mother was funny with me, and I started to be charming and funny for her, and I learned that by being entertaining, you make a connection with another person." - Robin Williams "(Ann) Woodworth, Stephen Colbert’s acting professor ... remembers him as a 'constant clown' who had trouble accessing 'some of the emotions that were necessary to tap into the more tragic plays and characters.' Then, she says, she was having lunch with Colbert one day at Norris. 'I don’t know how it came out,' Woodworth recalls, 'but he said, "Well, it might have something to do with the fact that my father and two brothers were killed in a plane crash when I was 10, and I was left home with a grieving mother. And my main mission became to make her laugh." 'I can remember exactly where I was sitting in the lunch room when he said that because I thought I was going to fall over. It made all kinds of sense to me why it was difficult for him to get to the grief of Hamlet. And then it also made sense to me why his sense of comedy and his ability to entertain people and make people laugh was so strong, because he had been practicing it for 10 years.'" - Northwestern Magazine "When I was 8, my mother had a heart attack. Her doctor accompanied her home, and while she rested, he pulled me aside. "Don't argue with your mother," he said. "It might kill her." I didn't know what to make of that, except that I could kill my mother if I got angry with her. "And another thing," he said, "try to make her laugh." Though I'd never before tried to make anyone laugh, I began to sing her silly songs and perform Danny Kaye imitations. That was my first taste of performing. Then one Saturday night, when I was 11 years old, I went to see my older sister Corinne give a dramatic recital. I walked into the Wisconsin College of Music, where 200 people were jammed into the auditorium, jabbering loudly. As the lights dimmed, they began to whisper. Then...darkness. A spotlight hit the center of the stage, and there was Corinne in a lavender gown. As she gave a memorized reading of Guy de Maupassant's The Necklace, all eyes were on her. For the entirety of the recitation, you could hear a pin drop, and when she finished, everyone applauded. At that moment I thought that standing onstage must be as close to actually being God as you could get. When the recital was over, I asked Corinne's acting teacher if I could study with him. We began to work together, and I fell in love with performing. Since then, I've been in more than 30 movies. Every once in a while, when I was in front of the camera, I'd think back to the moment I saw my sister up there onstage, everyone around her rapt. She possessed some magic that I wanted, the ability to make everyone shut up and watch." - Gene Wilder Robin Williams “There is a vitality, a life force, a quickening that is translated through you into action, and because there is only one of you in all time, this expression is unique. And If you block it, it will never exist through any other medium and be lost. The world will not have it. It is not your business to determine how good it is, nor how valuable it is, nor how it compares with other expressions. It is your business to keep it yours clearly and directly to keep the channel open. You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate YOU. Keep the channel open… No artist is pleased… There is no satisfaction whatever at anytime There is only a queer, divine dissatisfaction a blessed unrest that keeps us marching and makes ‘us’ MORE alive than the others.” - Martha Graham to Agnes DeMille
as quoted in “Dance to the Piper and Promenade Home” (1982) by Agnes de Mille Hello, peoples of the Internet(s)!
I've been thinking a lot about honesty this week. And how we hide from ourselves, and how we hide from our authenticity, our authentic selves. We wear masks all the time. In fact, I'm an actor. One could argue that I chose a profession where I strive to hide behind other selves ALL THE TIME. But what I do is make-believe. It's storytelling. It's sacred and sometimes even healing, in its best form. In its lesser form, it is hopefully, at the least, entertaining and an escape. But what about the ways that you and I hide from ourselves? The ways that we dodge our truths. And all the things that really might be going on inside of us, underneath our armor. If the actor's job is to be comfortable being uncomfortable... if the actor's job is to expose themselves... if the actor's job is to hold the mirror up to nature... Then the next question for me is this: how do we, as human beings -- as non-actors -- strive for the same discomfort and exposure and reflection in our own lives? Can you imagine what we might discover in that brave exploration? “Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.” - Rainer Maria Rilke, Letters to a Young Poet “I’s been livin’ a long time in yesterday, Sandy chile, an’ I knows there ain’t no room in de world fo’ nothin’ mo’n love. I know, chile! Ever’thing there is but lovin’ leaves a rust on yo’ soul. An’ to love sho ‘nough, you got to have a spot in yo’ heart fo’ ever’body – great an’ small, white an’ black, an’ them what’s good an’ them what’s evil – ‘cause love ain’t got no crowded-out places where de good ones stay an’ de bad ones can’t come in. When it gets that way, then it ain’t love.” - Langston Hughes
"What is urgent is seldom important, and what is important is seldom urgent." - Dwight Eisenhower “Poor planning on your part does not necessitate an emergency on mine.” - Bob Carter So here's the thing... we're still in the midst of a global pandemic, but I'm continuing to learn during this strange time. I've been teaching classes online since we went into quarantine in March of 2020, and I found some amazing surprise takeaways from my students. I share them with you here, and I hope you're as inspired as I have been:
* I was struck with the intimacy of this format. This strange hybrid of film & theater, because it’s in close-up, we have to be even more intimate with each other. * We’re becoming better listeners, because the audio is more reliable than the video, with lag & latency issues. So while being deprived of some senses, others are being heightened. * Awareness of the need to sometimes slow down and make space for the character, honoring their time and not our adrenaline rush of pacing. Don’t speed. Slow down. Honor my interpretive choices rather than have one foot out the door of the audition. * Things can land profoundly, you can listen better, and there’s a safety to the risks that we have to take when we’re taking them from our homes. * I thought acting online was always going to suck, but I’ve learned that we can turn it into a revelation. And a revolution. * We turned lemons into limoncello. This is even better than lemonade. * We are resilient. And our storytelling can still be sacred. * My fears about the failures of online performances were, on a weekly basis, disproven. * The importance of finding a place to play. * Feeling more ready to plunge back into the artistic world. * It is possible, both online and in self-tapes, to use our creativity and our imaginations to create whole worlds. * In addition to learning about the importance of taking risks and connecting and raising the stakes, I’ve also felt a freedom and an empowerment that is based in my control of my own creativity. Not to mention hope and inspiration in these hard times. Taking the sacred breath. Making time and space for myself. And the reminder that there is always a way to connect, even in isolation. * I now know that it is in fact possible to make something good online, something that not only is entertaining but also feels good as an actor. I’m no longer as anxious about being remote, I’m feeling much more confident. |
Rob NagleActor-Guy Archives
December 2024
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